Literature as Activism - From Entertainment to Challenging Social Norms: Michael Nava’s Goldenboy (1988)

Angelos Bollas

Abstract


The aim of this article is to examine how Michael Nava appropriates the conventions of Detective/Crime Fiction to engage in artivism, whereby art is used to challenge sexual and ethnic social oppression and inequality. By providing an analysis of the heteronormative conventions of the Detective and Crime Fiction genre, the article focuses on the ways in which narratives portray homophobic violence, as well as on the fact that such portrayals result from and contribute to the promotion of heteronormative hegemonies. Following this, I focus on Michael Nava’s Goldenboy (1988) and I analyse Nava’s writing in relation to the wider Chicano tradition of using art to engage in activism, what has been termed as ‘artivism.’ The central argument of this paper is that Nava ‘queers’ the form of the Detective Fiction genre to highlight the shortcomings of our society, the effects of the hegemonial heteronormativity, and the need for social change.


Keywords


Artivism, Queer literature, Heteronormativity, Violence, Detective Fiction, Queering, Queer theory

Full Text:

PDF

References


Asante, M. K. (2009) It’s Bigger Than Hip Hop. New York: St. Martin’s Press.

Barker, M. J. and Scheele, J. (2016) Queer: A Graphic History. London: Icon Books.

Berlatsky, N. (2012) ‘The detective and the closet,’ The Hooded Utilitarian. Available at: http://bit.ly/2vCJf4g (Accessed: 16 April 2019).

Bollas, A. (2014) ‘Live and let live: the destabilisation of heteronormativity in Moises Kaufmann’s The Laramie Project,’ Forbes and Fifth. 4. pp. 97-112.

Brody, D. (2017) ‘Artivist in the modern landscape’, The Huffington Post, 6 December. Available at: http://bit.ly/2vFkbte (Accessed: 4 April 2019).

Butler, J. (1993) Bodies That Matter: On The Discursive Limits Of "Sex”, New York: Routledge.

Butler, J. (2007) ‘Passing, queering: Nella Larson’s psychoanalytic challenge,’ in Kaplan, C. (ed) Passing: A Norton Critical Edition. New York: Norton. pp. 414 – 435.

Cawelti, J. (2004) Mystery, Violence, and Popular Culture: Essays. Madison: University of Wisconsin Press.

Cohen, C. J. et al. (eds) (2013) Punks, Bulldaggers, and Welfare Queens. London: Routledge.

Cox, M. (1992) Victorian Tales of Mystery and Detection: An Oxford Anthology. Oxford: Oxford University Press.

Danyte, M. (2011) Introduction to The Analysis of Crime Fiction: A User-Friendly Guide. Vytauto Didziojo Universitetas.

Encyclopedia Britannica. (2019) Detective Story, Narrative Genre. Available at: http://bit.ly/2JioSkN (Accessed: 24 April 2019).

Ensler, E. (2011) ‘Politics, power, and passion,’ The New York Times, 2 December. Available at http://nyt.ms/2ZWwUpr (Accessed: 6 April 2019).

Flood, M. et al. (2007) International Encyclopedia of Men and Masculinities. London: Routledge.

Foster, D. W. (2008) ‘Homophobia in an intercultural context,’ Ilha do Desterro. April 2018. pp. 135 – 155.

García, C. M. M. (2016) ‘Private (brown) eyes: Ethnicity, genre, and gender in crime fiction in the Gloria Damasco novels and the Chicanos comic series.’ Other Modernities. 15. pp. 69-82.

Gosselin, A. J. (1999) Multicultural Detective Fiction: Murder from the “Other” Side, New York: Routledge.

Greenwall, G. (2015) ‘A gay mystery novelist who chronicles the aftermath of AIDS’, The New Yorker, 11 September. Available at http://bit.ly/GreenwellG (Accessed: 13 April 2019).

Hakenaho, P. L. (2007) ‘Queering Catcher: flits, straights, and other morons,’ in Graham, S. (ed) J. D. Salinger’s The Catcher in the Rye: A Routledge Study Guide. New York: Routledge. pp. 89 – 97.

Hammet, D. (1929) The Maltese Falcon. New York: Vintage Crime. Available at http://bit.ly/HammettD (Accessed: 15 April 2019).

Hanman, N. (2013) ‘Eve Kosofsky Sedgwick and Judith Butler showed me the transformative power of the word queer,’ in The Guardian. 22 August. Available at: http://bit.ly/2GZDOBO (Accessed: 2 April 2019).

Kirkus Review (2019) ‘Goldenboy by Michael Nava,’ Kirkus Reviews. Available at: http://bit.ly/2VPL5xl (Accessed 6 April 2019).

macho. (2019) In: Cambridge Dictionary. [online] Cambridge University Press. Available at: http://bit.ly2JkChsD (Accessed: 27 March 2019).

Markowitz, J. A. (2004) The Gay Detective Novel: Lesbian and Gay Main Characters and Themes in Mystery Fiction. London: McFarland and Company.

Morlan, A and Raubicheck, W. (eds) (2013) Christianity and the Detective Story. Newcastle upon Tyne: Cambridge Scholars Publishing.

Nava, M. (1988) Goldenboy. London: Alyson Publications.

Plain, G. (2014) Twentieth Century Crime Fiction: Gender, Sexuality And The Body. London: Routledge.

Ramos, M. (2005) ‘Breaking the macho mold,’ in Sotelo, S. B. (ed) Chicano Detective Fiction: A Critical Study of Five Novelists. North Carolina: McFarland and Company.

Rodriguez, R. E. (2005) Brown Gumshoes: Detective Fiction and the Search for Chicana/o Identity. Austin: University of Texas Press.

Rosell, S. (2009) 'La detectivesca de Latinas en los Estados Unidos', Revista de critica literaria y de cultura. 21. Available at: http://bit.ly/2VcXFr6 (Accessed: 2 April 2019).

Sauerberg, L. O. (2016) The Legal Thriller from Gardner to Grisham. London: Pelgrave Macmillan.

Sedgwick, E. K. (1985) Between Men: English Literature And Male Homosocial Desire, New York: Columbia University Press.

Sedgwick, E. K. (1993) Tendencies. New York: Duke University Press.

Sedgwick, E. K. (2013) ‘Queer and now,’ in Hall et al. (eds) The Routledge Queer Studies Reader. London: Routledge.

Szpak, A. (2017) ‘Characteristics of crime fiction,’ Pen and the Pal. 17 April. Available at: http://bit.ly/2Jr2qGv (Accessed: 22 April 2019).

Van Dine, S. (1928) ‘Twenty rules for writing detective stories.’ American Magazine. September 1928.

Warner, M. (1993) ‘Introduction,’ in Warner, M. (ed) Fear of a Queer Planet: Queer Politics and Social Theory. Minneapolis: University of Minnesota Press. pp. xxiii – xxxi.

Young, T. (2012) ‘Queering “the human situation”. Journal of Feminist Studies in Religion. 28. pp. 126 – 131.

Žižek, S. (2006) The Parallax View. Cambridge, MA: MIT Press.




DOI: https://doi.org/10.7575/aiac.ijalel.v.9n.1p.50

Refbacks

  • There are currently no refbacks.




Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 International License.

2012-2023 (CC-BY) Australian International Academic Centre PTY.LTD

International Journal of Applied Linguistics and English Literature

To make sure that you can receive messages from us, please add the journal emails into your e-mail 'safe list'. If you do not receive e-mail in your 'inbox', check your 'bulk mail' or 'junk mail' folders.