Mental Self-Exploration in Samuel Beckett’s Molloy: A Jungian Approach
Ali Jamalinesari, Nabieh Feilinezhad
Abstract
Samuel Beckett is categorized as an absurdist dramatist. Martin Esslin in his book The Theatre of Absurd , states that absurdist writers dealt with the theme of man’s sense of anguish and torture caused by living without any purpose. All characters of Beckett’s dramas are deformed just like Molloy who deteriorates as the novel comes to an end. Actually, Beckett’s characters are wanderers who try to establish a sense of meaning for their existence; they are in search of self. As his works represent, Beckett uses Jungian archetypes in order to show the aspect of self. This article tries to demonstrate the lack of identity in Molloy ’s Characters in the light of Jungian archetypes throughout the story.
Keywords: Molloy , Identity, Archetype, Jung, Self, Deterioration
References
Beckett, S. (1977). Molloy, Malone Dies and The Unnamable. New York: Alfred A.Knopf.
Esslin, M. (1980). The Theatre of the Absurd. London: Cox & Wyman Ltd.
Jung, C.G. (1969). The Archetypes and the Collective Unconscious. New York: Princeton University Press.
Refbacks
There are currently no refbacks.
This work is licensed under a
Creative Commons Attribution 4.0 International License .
2010-2023 (CC-BY) Australian International Academic Centre PTY.LTD .
Advances in Language and Literary Studies
You may require to add the 'aiac.org.au' domain to your e-mail 'safe list’ If you do not receive e-mail in your 'inbox'. Otherwise, you may check your 'Spam mail' or 'junk mail' folders.
<a href="http://www.histats.com" target="_blank"><img src="http://sstatic1.histats.com/0.gif?2893364&101" alt="site stats" border="0"></a>