Electra Complex and the Confusion of Albee’s Martha’s Sexual Identity: A Psychoanalytic Study

Arafat Abdali Rakhees, Lajiman bin Janoory

Abstract


According to the Freudian psychoanalytic theory, earlier traumatic experiences highly influence the psychological development of personality. Freud also affirms that the earlier years of childhood development play a crucial role in the formation of personality. He states that all normal infants go through specific stages of psychosexual development that are naturally progressive, namely: oral, anal and phallic stages. Any disruption of or delay in the progress of any of the psychosexual stages or failure to cope with them causes the fixation of the libido at a particular stage. Martha, the central figure in Albee’s Who’s Afraid of Virginia Woolf?, suffered from painful emotional experiences during childhood which gave her an unbalanced personality and a fragile ego. She lived a lonely and troubled childhood because she was abandoned and rejected by her father, a matter that has left a deep scar on her psyche. Martha also has a phallic fixation owing to the unresolved sexual conflicts during the phallic phase of the psychosexual development, a matter that negatively influences her personality. Applying Freudian psychanalytic theory, the aim of this study is to investigate the influence of past traumatic experiences of childhood on Martha’s behaviour and her psychological wellbeing. The study also seeks to uncover the impact of the unresolved Electra Complex on the development of Martha’s personality and her sexual maturity.

Keywords


Who’s Afraid of Virginia Woolf?, Freudian Psychoanalytic Theory, Martha, Phallic Fixation, Electra Complex, Defence Mechanisms

Full Text:

PDF

References


Albee, E. (1962). Who's afraid of Virginia Woolf? London: Vintage Books.

Blum, H. P. (1969). A psychoanalytic view of who's afraid of Virginia Woolf? Journal of American Psychoanalytic Association 17(3), 888-903. https://doi.org/10.1177/000306516901700311

Davis, W. A. (1994). Get the guests: Psychoanalysis, modern American drama and the audience. Madison: University of Wisconsin Press.

Dobie, A.B. (2011). Theory into practice: An introduction to literary criticism. USA: Wadsworth, Cengage Learning.

Dukore, B. F. (1965). A warp in Albee's Woolf. The Southern Speech Journal, 30(3), 261-268. doi: 10.1080/10417946509371784.

Eby, C. V. (2007). Fun and games with George and Nick: Competitive masculinity in who’s afraid of Virginia Woolf? Modern Drama, 50(4), 601-619. doi: 10.1353/mdr.0.0005.

Falsafi, P., Khorashadb, S., & Abedin, A. (2011). Psychological analysis of the movie "who's afraid of Virginia Woolf?" by using Jungian archetypes. Procedia-Social and Behavioral Sciences, 30, 999-1002. www.sciencedirect.com.

Feist, J., & Feist, G. J. (2009). Theories of personality. (7th ed.). USA: The McGraw−Hill Companies, Inc.

Freud, S. (1919). The uncanny. In Strachey, J. (Ed.). The Standard Edition of the Complete Psychological Works of Sigmund Freud. London: The Hogarth Press.

Freud, S. (1953). Three essays on the theory of sexuality. In Strachey, J. (Ed.), The Standard Edition of the Complete Psychological Works of Sigmund Freud (Vol. 7, pp. 130-243). London: The Hogarth Press. (Original work published 1905).

Freud, S. (1957). On narcissism: An introduction. In Strachey, J. (Ed.), The Standard Edition of the Complete Psychological Works of Sigmund Freud (Vol. 14, pp. 67-104). London: The Hogarth Press. (Original work published 1914).

Freud, S. (1963a). Introductory lectures on psychoanalysis. In Strachey, J. (Ed.), The Standard Edition of the Complete Psychological Works of Sigmund Freud (Vols. 15 &16). (Original work published 1917).

Freud, S. (1963b). Some psychological consequences of the anatomical distinction between the sexes. In Philip Rieff (Ed.), Sexuality and the Psychology of Love (pp.183-193). New York: Macmillan. (Original work published 1925).

Freud, S. (1964). New introductory lectures on psychoanalysis. In Strachey, J. (Ed.), The Standard Edition of the Complete Psychological Works of Sigmund Freud (Vol. 22). (Original work published 1933).

Gilchrist, J. (2011). ''Right at the meat of things'': Virginia Woolf in who's afraid of Virginia Woolf? Women's Studies: An Interdisciplinary Journal, 40(7), 853-872. doi: 10.1080/00497878.2011.603609.

Gross, R. F. (2009). Melancholia-Machine: Perversity and loss in "the play about the baby." Hungarian Journal of English and American Studies, 15(1), 121-133. http://www.jstor.org/stable/41274460.

Hauge, K. (2009). Interpreted identities- exploring the development of (male) homosexual presentation in American drama (Master thesis). https://www.duo.uio.no/bitstream/handle/.../HAUGE_MASTER.pdf.

Hayman, A. (2013).What do our terms mean?: Explorations using psychoanalytic theories and concepts. London: Karnac Books Ltd.

Kelly, K. E. (1990). Review of who's afraid of Virginia Woolf? by Edward Albee. Theatre Journal, 42 (3), 372-373. http://www.jstor.org/stable/3208087

Kernberg, O. (2004). Contemporary controversies in psychoanalytic theory, techniques, and their applications. New haven and London: Yale university press.

Kernberg, O. (2012). A contemporary reading of ''On narcissism.'' In Sandler, J., Person, E., & Fonagy, P. (Eds.), Freud's ''On Narcissism: An Introduction'' (pp.131-148). London: Karnac Books Ltd.

Kohut, H. (1977). The restoration of the self. Chicago and London: The University of Chicago Press.

Lewis, A. (1964). The fun and games of Edward Albee. Educational Theatre Journal, 16(1), 29-39. http://www.jstor.org/stable/3204375.

Linda, H. B.(1987). Infertility as boundary ambiguity: One theoretical perspective. Fam Proc, (26),359-372.

LoPiccolo, J. and Heiman, J. The role of cultural values in the prevention and treatment of sexual problems. (1978). In Qualls, C.B., Wincze,G.B. and Barlow, D. H. (Eds.), The prevention of sexual disorders: Issues and approaches (pp.43-71). New York: Plenum Press.

Malarvizhi, K. (2013). Marriage: An illusive reality in Albee's Who’s Afraid of Virginia Woolf?. Lapis Lazuli -An International Literary Journal, 3(2), 122-127. http://pintersociety.com/vol-3-no-2autumn-2013/

Marković, Z. (2000). Psychoanalytic conceptions of marriage and marital relationships. The scientific journal Facta Universitatis, 2 (7): 379-389. facta.junis.ni.ac.rs/pas/pas2000/pas2000-08.pdf.

McCarthy, G. (1987). Edward Albee. London: Macmillan Publishers.

Paolucci, A. (1986). Exorcisms: who's afraid of Virginia Woolf? In Philip C. Kolin and J. Madison Davis (Eds.). Critical Essays on Edward Albee (151-162). Boston: G.K. Hall.

Post, R. M. (1969). Cognitive dissonance in the plays of Edward Albee. Quarterly Journal of Speech, 55(1), 54-60. doi: 10.1080/00335636909382928.

Prugh, S. L. (2014). Hallucinatory Figures in Modern American Drama (Master thesis). http://scholar.colorado.edu/thtr_gradetds/29.

Weales, G. (1975). Edward Albee: Don't make waves. In Bigsby, C. W. E. (Ed.), A Collection of Critical Essays (p.10-22). New Jersey: Prentice-Hall, Inc.

Wolfe, P. (1965). The social theater of Edward Albee. Prairie Schooner, 39(3), 248-62. http://www.jstor.org/stable/40628342.




DOI: https://doi.org/10.7575/aiac.ijalel.v.7n.5p.1

Refbacks

  • There are currently no refbacks.




Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 International License.

2012-2023 (CC-BY) Australian International Academic Centre PTY.LTD

International Journal of Applied Linguistics and English Literature

To make sure that you can receive messages from us, please add the journal emails into your e-mail 'safe list'. If you do not receive e-mail in your 'inbox', check your 'bulk mail' or 'junk mail' folders.