Dickens's Dichotomous Formula for Social Reform In Oliver Twist
Abstract
Oliver Twist was a direct appeal to society to take action against poverty, exploitation of children, oppression of women, and was meant to be a picture of the "dregs of life” in all their deformity and wretchedness. Among the most miserable inhabitants of the world of Oliver Twist, Nancy appears as a key figure. Dickens was anxious to expose the truth about such a woman because he believed it would be a service to society. Dickens's portrayal of Nancy illustrates the power of the dual conception of womanhood held at the time. On the one hand, a woman might be conceived as someone refined and somewhat remote from ordinary life like Rose Maylie. On the other hand, there was a certain fascination in a woman's degradation, even though that could be shown only indirectly. Nancy is a demonstration of the two elements combined together. Dickens took the ideal nature of womanhood and the depravity of the prostitute, and combined them in a remarkable dramatization which he had some right to claim was also true to life. The book is an astounding rebuttal of contemporary prejudice, and a call for more humane and liberal attitudes. These attitudes are based on the concepts that there is now a radically different way of looking at human nature, that everything ought to depend on what one is in oneself, and that it is only in love that humans can live purposefully and happily with each other.
Keywords
Full Text:
PDFReferences
Ayres, B. (1998). Dissenting Women in Dickens’ Novels: The Subversion of Domestic Ideology. London: Greenwood Press.
Aytoun, W. E. (1864). Advice to an Intending Serialist in Blackwood’s Magazine, 60(1), 590-605.
Barnett, G. L. (1971). Nineteenth-Century British Novelists on the Novel. New York: Appleton- Century-Crofts, Meredith Corporation.
Blount, T. (1968). Dickens, The Early Novels. London: Longman.
Bolton, P. H. (1987). Dickens Dramatized. London: Mansell.
Cockshut, A. O. J. (1977). Man and Woman, A Study of Love and the Novel 1740-1940. London: Collins.
Collins, P. (1962). Dickens and Crime. London: Macmillan.
Collins, P. E. (1971). Dickens, The Critical Heritage. London: Routledge and Kegan Paul.
Dickens, C. (1962). Oliver Twist. Oxford: Clarendon Press. . Subsequent references appear in the text as OT.
Fielding, K. J. (1965). Charles Dickens, A Critical Introduction. London: Longmans, Green and Co.
Ford, G. H. (1955). Dickens and His Readers, Aspects of Novel Criticism Since 1836. Princeton, Princeton University Press.
Forster, J. (1875). The Life of Charles Dickens. Vol. I. 18120-1842. Boston, James R. Osgood & Company.
Hollingsworth, K. (1963). The Newgate Novel, 1830-1847; Bulwer, Ainsworth, Dickens & Thackeray. Detroit, Wayne State University Press.
House, H. (1979). The Dickens World. Oxford, OUP.
Kennedy, G. E. (1978). Women Redeemed, Dickens’s Fallen Women. Dickensian, 74(1), 42-47.
Johnson, E. (1953). Charles Dickens, His Tragedy and Triumph. 2vols. London, Victor Gollanz Ltd.
Orwell, G. (1981). A Collection of Essays. Orlando, Houghton Mifflin Harcourt Publishing Company.
Tillotson, K. (1966). “Introduction” in Oliver Twist. Oxford, Clarendon Edition.
DOI: https://doi.org/10.7575/aiac.ijalel.v.5n.7p.209
Refbacks
- There are currently no refbacks.
This work is licensed under a Creative Commons Attribution 4.0 International License.
2012-2023 (CC-BY) Australian International Academic Centre PTY.LTD.
International Journal of Applied Linguistics and English Literature
To make sure that you can receive messages from us, please add the journal emails into your e-mail 'safe list'. If you do not receive e-mail in your 'inbox', check your 'bulk mail' or 'junk mail' folders.