Timberlake Wertenbaker’s After Darwin: Identity and Ethics in the Interplay of Theatre and Science
Abstract
Keywords
Full Text:
PDFReferences
Billington, Michael. “The finch mob.” Rev. of After Darwin. Guardian Weekly, 26 July 1998, pp. 26-27.
Bush, Sophie. The Theatre of Timberlake Wertenbaker. Bloomsbury, 2013.
Feldman, Alexander. Dramas of the Past on the Twentieth-Century Stage: In History’s Wings. Routledge, 2013.
Freeman, Sara. “Tragedy After Darwin: Timberlake Wertenbaker Remakes ‘Modern’ Tragedy.” Comparative Drama, vol. 44, no. 2, 2010, pp. 201-227.
Huxley, Thomas Henry. Collected Essays: Methods and Results. Cambridge UP, 2011.
Rocamora, Carol. Rev of Copenhagen. The Nation, vol. 270, no. 22, 2000, pp. 49-51.
Ruddick, Nicholas. “The Search for a Quantum Ethics: Michael Frayn’s Copenhagen and Other Recent
British Science Plays.” Journal of the Fantastic in the Arts, vol. 11, no. 4, 2001, pp. 415-431.
Shepherd-Barr, Kristen. Science on Stage: From Doctor Faustus to Copenhagen. Princeton UP, 2006.
---. “Copenhagen and Beyond: The ‘Rich and Mentally Nourishing’ Interplay of Science and Theatre.”
Gramma: Journal of Theory and Criticism, vol. 10, 2002, pp. 171-182.
Wertenbaker, Timberlake. After Darwin. Faber & Faber, 1998.
DOI: https://doi.org/10.7575/aiac.ijalel.v.10n.3p.54
Refbacks
- There are currently no refbacks.
This work is licensed under a Creative Commons Attribution 4.0 International License.
2012-2023 (CC-BY) Australian International Academic Centre PTY.LTD.
International Journal of Applied Linguistics and English Literature
To make sure that you can receive messages from us, please add the journal emails into your e-mail 'safe list'. If you do not receive e-mail in your 'inbox', check your 'bulk mail' or 'junk mail' folders.