Fluid Identity of the Daughter in Jackie Kay's The Adoption Papers

Gamal Elgezeery

Abstract


This paper deals with the issue of fluid identity in the Scottish poet, novelist and dramatist Jackie Kay’s first poetry collection The Adoption Papers (1991). Having African roots and being adopted by a white Scottish family lead Kay to employ some elements from her real life in creating a sequence of poems that fictionalizes different manifestations of identity and shows their interplay and apparent contradictions at the same time. Kay views identity as a fluid flux that does not take a fixed form and that distances itself from any preconceptions because it is a continuous and changing formation. She negotiates, questions, fantasizes, reinvents, modifies, imagines, fictionalizes, synthesizes, and even lyricizes her different and multi-faceted identities in an open-ended poetic presentation.

 


Keywords


Jackie Kay, fluid identity, textual history, linguistic identity, ethnic identity, social identity, self-discovery, identity dramatization

Full Text:

PDF

References


Ambos, E. (2011). The Changing Image of Sinhalese Healing Rituals: Performing Identity in the Context of Transculturality. In Christiane Brosius and Roland Wenzlhuemer (Eds.), Transcultural Turbulences: Towards a Multi-Sited Reading of Image Flows (pp. 249-69). Berlin: Springer-Verlag.

Arana, R. V., and Ramey, L. (Eds.). (2004). Black British Writing. New York: Palgrave MacMillan.

Balick, A. (2014). The Psychodynamics of Social Networking: Connected-up Instantaneous Culture and the Self. London: Karnac Books Ltd.

Crawshaw, R, Callen, B., and Tusting, K. (2001). Attesting the Self: Narration and Identity Change during Periods of Residence Abroad. Language and Intercultural Communication, 1(2), 101-119

Gish, N. K. (2013). Absent Voices: Modern Women Writers in Celtic Countries. Literature Compass 10.1, 45–52

Grad, H., and Rojo, L.M. (2008). Identities in Discourse: An Integrative View. In Rosana Dolón and Júlia Todolí (Eds.), Analysing Identities in Discourse, (pp. 3-28). Amsterdam and Philadelphia: John Benjamins Publishing Company.

Hácová, P, (2005). The Poet as Cultural Dentist: Ethnicity in the Poetry of Jackie Kay. Theory and Practice in English Studies 4, 63-67.

Kanneh, K. (1998). African Identities: Race, Nation and Culture in Ethnography, Pan-Africanism and Black Literatures. London and New York: Routledge.

Kay, J. (1991). The Adoption Papers (sixth impression 2003). Northumberland: Bloodaxe Books.

……… (1999), "Jackie Kay." In Neil Astley (Eds.), New Blood (pp. 73-80). Newcastle-upon-Tyne: Bloodaxe.

……… (2002a), "Interview with Jackie Kay", interviewed by Laura Severin, Free Verse, 2. Retrieved on December 2, 2014 from: http://english.chass.ncsu.edu/freeverse/Archives/Spring_2002/interviews/J_Kay.html

……… (2002b), "Jackie Kay Interview", interviewed by Leanne Stott, 5 Sept. 2002. Retrieved on December 1, 2014 from: http://www.durham21.co.uk/2002/12/jackie-kay/

……… (2005), "An interview with Jackie Kay", Poetry Archive (2005). Retrieved on November 14, 2014, from: http://www.poetryarchive.org/interview/jackie-kay-interview

……… (2010), Interview with Jackie Kay. May 21, 2010. Retrieved on October 21, 2014 from: http://jiayjo-jackiekay.tumblr.com/post/650894291/an-interview-w-jackie-kay

Kay, R. (2005). "Identity and Marginality." eSharp 6, 1-6.

Korzeniowska, A. (2013). Crossing Racial Frontiers in the Quest for Cultural Acceptance as Seen Through Selected Works by Jackie Kay. In J. Fabiszak, B. Wolski and E. Urbaniak-Rybicka (Eds.) Crossroads in Literature and Culture (pp. 421-31). Berlin: Springer-Verlag.

Kouta, A., and Saleh, E. (2013). From Alienation to Connectedness: A Postmodern Ecocritical Reading of John Steinbeck’s The Winter of Our Discontent. European Scientific Journal 9.11, 216-236.

Little, H. (2011). Identifying the Genealogical Self. Archival Science. 11, 241-252.

Lumsden, A. (2000). Jackie Kay's Poetry and Prose: Constructing Identity. In Aileen Christianson and Alison Lumsden (Eds.), Contemporary Scottish Women Writers (pp. 79-91). Edinburgh: Edinburgh University Press.

MacDonald, E. (1998). Critical Identities: Rethinking Feminism through Transgender Politics. Atlantis. 23.1, 3-12.

Mercieca, P. (2014). Changing Perspectives of Literacy, Identity and Motivation: Implications for Language Education. In Katie Dunworth and Grace Zhang (Eds.), Critical Perspective on Language Education: Australia and the Asia Pacific (pp. 29-48). Switzerland: Springer International Publishing.

Mostov, J. (2007). Soft Borders and Transnational Citizens. In Seyla Benhabib, Ian Shapiro, and Danilo Petranović (Eds.), Identities, Affiliations, and Allegiances (pp. 136-58). Cambridge: Cambridge University Press.

Ostwald, M.J. (2001). Identity Tourism, Virtuality and the Theme Park. In David Holmes (Eds.), Virtual Globalization: Virtual Spaces/Tourist Spaces (192-204). London and New York: Routledge.

Patke, R. S. (2006). Postcolonial Poetry in English. Oxford and New York: Oxford University Press.

Phipps, A. (2003). Languages, Identities, Agencies: Intercultural Lessons from Harry Potter. Language and Intercultural Communication 3.1, 6-19.

Robinson, A. M. (2007). Multiculturalism and the Foundations of Meaningful Life: Reconciling Autonomy, Identity, and Community. Toronto: UBC Press.

Schrage-Früh, M. (2009a). “Jackie Kay.” In R. Victoria Arana (Eds.) Dictionary of Literary Biography: Twenty-First-Century "Black" British Writers (pp. 166-77). Detroit: Gale.

Schrage-Früh, M. (2009b). ‘The Multiplicity of What I Am’: Black Scottishness in the Poetry of Jackie Kay. Folia Litteraria Anglica 8, 67-78.

Taylor, J. (2001). “The Country at my Shoulder”: Gender and Belonging in Three Contemporary Women Poets. PhD Diss: University of Warwick, Centre for the Study of Women and Gender. December 2001. Retrieved from http://wrap.warwick.ac.uk/56237/1/WRAP_thesis_Taylor_2001.pdf

Thurston, M., and Alderman, N. (2014). Reading Postwar British and Irish Poetry. West Sussex: Wiley Blackwell.

Wegar, K. (1997). Adoption, Identity, and Kinship, New Haven: Yale University Press.

Woods, E. (2006). Multiculturalism and Identity in Canada: A Case-Study of Ukrainian-Canadians. An M. A. thesis, College of Graduate Studies and Research, Department of Political Studies, University of Saskatchewan, Saskatoon, Canada, 2006. This thesis is available at http://library2.usask.ca/theses/available/etd-04122006-150407/

Wright, B. (2000). Dub Poet lekka mi: An Exploration of Performance Poetry, Power and Identity Politics in Black Britain. In Kwesi Owusu (Eds.). Black British Culture and Society: A Text Reader (pp. 293-313). London and New York: Routledge.




DOI: https://doi.org/10.7575/aiac.ijalel.v.4n.4p.125

Refbacks

  • There are currently no refbacks.




Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 International License.

2012-2023 (CC-BY) Australian International Academic Centre PTY.LTD

International Journal of Applied Linguistics and English Literature

To make sure that you can receive messages from us, please add the journal emails into your e-mail 'safe list'. If you do not receive e-mail in your 'inbox', check your 'bulk mail' or 'junk mail' folders.